“World Cinema” Subject Week

January 30, 2023
“World Cinema” Subject Week

Cinema World Subject WeekThe term “world cinema” should not be employed to mean cinema from around the world. Instead, it refers to “non-Hollywood cinema” and it opposes the aesthetics and values of commercial American filmmaking.

  1. Barr, C. (2022). British cinema : A very short introduction. Oxford University Press. 5.G7 B37 2022
  2. Clarke, J. (2011). Movie movements : Films that changed the world of cinema. Kamera Books. 5.A1 C63 2011
  3. Deshpande, S., & Mazaj, M. (2018). World cinema : A critical introduction. NY : Routledge. 5.A1 D465 2018
  4. Elsaesser, T. (2019). European cinema and continental philosophy : Film as thought experiment.Bloomsbury Academic. 5.E8 E523 2019
  5. Hagener, M. (Ed.). (2017). The emergence of film culture : Knowledge production, institution building and the fate of the Avant-Garde in Europe, 1919-1945. Berghahn Books. 9.E96 E44 2017
  6. Nelmes, J. (Ed.). (2012). Introduction to film studies.PN1994 .I537 2012
  7. Papazian, E. A., & Eades, C. (Eds.). (2016). The essay film : Dialogue, politics, utopia. Wallflower Press.9.E96 E87 2016
  8. Schrader, P. (2018). Transcendental style in film : Ozu, Bresson, Dreyer. University of California PN1995 .S417 2018
  9. Rossouw, M. P. (2021). Transformational ethics of film : Thinking the cinemakeover in the film-philosophy debate. Brill Rodopi. PN1995 .R6635 2021
  10. Sikov, E. (2020). Film studies : An introduction. Columbia University Press.PN1994 .S535 2020

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  1. Bingham, A. (Ed.). (2012). Directory of world cinema : East Europe : East Europe. Intellect Books. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=845839
  2. de Luca, T. (2022). Planetary Cinema: Film, Media and the Earth. Amsterdam University Press. https://doi.org/10.2307/j.ctv25wxbjs
  3. Marlow-Mann, A. (2011). The new Neapolitan cinema. Edinburgh University Press. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=1133308
  4. Nagib, L. (2020). Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema. Amsterdam University Press. https://doi.org/10.2307/j.ctv1b0fvq4
  5. Palmer, T., & Michael, C. (Eds.). (2013). Directory of world cinema: France : France. Intellect Books Ltd. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=1133308
  6. Perkins, C. (2012). American smart cinema. Edinburgh University Press. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=1126599
  7. Smoodin, E. (2020). Paris in the Dark: Going to the Movies in the City of Light, 1930–1950. Duke University Press. https://doi.org/10.2307/j.ctv1220hh5
  8. Sunya, S. (2022). Sirens of Modernity: World Cinema via Bombay (1st ed., Vol. 3). University of California Press. http://www.jstor.org/stable/j.ctv2rb7630
  9. Teo, S. (2015). Chinese martial arts cinema : The wuxia tradition. Edinburgh University Press. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=4354178
  10. Wilson, F. (2014). New taiwanese cinema in focus : Moving within and beyond the frame. Edinburgh University Press. https://ebookcentral.proquest.com/lib/aubg-ebooks/detail.action?docID=1961825