Panitza Library

"Independent filmmaking across borders in contemporary Asia", by Ran Ma

March 07, 2021

These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived ― thereby opening up possibilities to reimagine Asia and its connections to globalization.

Ma,R. (2020). Independent Filmmaking across Borders in Contemporary Asia. Amsterdam: Amsterdam University Press. doi:10.2307/j.ctvrs8xk5

https://www.jstor.org/stable/j.ctvrs8xk5

We are Social